Soda Can
Soda Can

SAGWA

Sagwa: Children of Second Eden is a hand-painted narrative comic set in the quiet, overgrown ruins of a biotech war.

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SAGWA is my thesis, a hand-painted comic that explores themes of innocence, manufactured purpose, and the slow erosion of memory. It’s not about saving the world—it’s about those left behind, trying to make sense of what remains.

Billboard

Each spread was hand-painted—panels and all—sometimes layered physically, sometimes assembled in Photoshop after scanning and cleanup. The process blends everything I love: painting, comics, storytelling, and design.

Can Tornado
Soda Can And Orange

This world is the culmination of everything I’ve learned—across classes, critiques, and creative risks

Flowers In The Can

I experimented with different mediums—acrylic, paper layering, digital compositing—and used software like Photoshop and Blender to explore how best to tell this story. From early sketches to finished spreads, I treated each choice as an extension of worldbuilding. This project merges what I was taught with what I’ve lived, and how I want stories to feel—tactile, intimate, and haunting.

Rock
⭐️

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SQUANBERT.COM

©2025

More Works

SQUANBERT.COM

©2025

Soda Can
Soda Can

SAGWA

Sagwa: Children of Second Eden is a hand-painted narrative comic set in the quiet, overgrown ruins of a biotech war.

Know More

SAGWA is my thesis, a hand-painted comic that explores themes of innocence, manufactured purpose, and the slow erosion of memory. It’s not about saving the world—it’s about those left behind, trying to make sense of what remains.

Billboard

Each spread was hand-painted—panels and all—sometimes layered physically, sometimes assembled in Photoshop after scanning and cleanup. The process blends everything I love: painting, comics, storytelling, and design.

Can Tornado
Soda Can And Orange

This world is the culmination of everything I’ve learned—across classes, critiques, and creative risks

Flowers In The Can

I experimented with different mediums—acrylic, paper layering, digital compositing—and used software like Photoshop and Blender to explore how best to tell this story. From early sketches to finished spreads, I treated each choice as an extension of worldbuilding. This project merges what I was taught with what I’ve lived, and how I want stories to feel—tactile, intimate, and haunting.

Rock
⭐️

Connect to Content

Add layers or components to make infinite auto-playing slideshows.

More Works

SQUANBERT.COM

©2025

Soda Can
Soda Can

SAGWA

Sagwa: Children of Second Eden is a hand-painted narrative comic set in the quiet, overgrown ruins of a biotech war.

Know More

SAGWA is my thesis, a hand-painted comic that explores themes of innocence, manufactured purpose, and the slow erosion of memory. It’s not about saving the world—it’s about those left behind, trying to make sense of what remains.

Billboard

Each spread was hand-painted—panels and all—sometimes layered physically, sometimes assembled in Photoshop after scanning and cleanup. The process blends everything I love: painting, comics, storytelling, and design.

Can Tornado
Soda Can And Orange

This world is the culmination of everything I’ve learned—across classes, critiques, and creative risks

Flowers In The Can

I experimented with different mediums—acrylic, paper layering, digital compositing—and used software like Photoshop and Blender to explore how best to tell this story. From early sketches to finished spreads, I treated each choice as an extension of worldbuilding. This project merges what I was taught with what I’ve lived, and how I want stories to feel—tactile, intimate, and haunting.

Rock
⭐️

Connect to Content

Add layers or components to make infinite auto-playing slideshows.

More Works

©2025