Man Running
Man Running

EMOTION

This series explores core emotions through looping animated paintings. I approached each one like a vignette, distilling a moment of feeling into color, rhythm, and gesture.

Know More

Inspired by video game sprite animation, I painted each background traditionally, then created character “sprites” on separate layers to animate digitally.

Man Walking

The result is something between a painting and a living memory: painterly textures that stutter and breathe, revealing emotion not through words or sound, but through movement, posture, and space.

Man Riding EV
Woman Running

To animate each emotion, I started by painting all elements traditionally with acrylic—capturing mood through brushstroke, texture, and light. I then scanned the figures and backgrounds separately and used Photoshop to digitally construct each frame of the animation.

Woman In The Garden

Rather than animating expressive action, I animated stillness—moments just before or just after something changes. In doing so, each loop becomes a quiet portrait of what that emotion feels like, not just what it looks like.

Woman Night View

More Works

SQUANBERT.COM

©2025

More Works

SQUANBERT.COM

©2025

Man Running
Man Running

EMOTION

This series explores core emotions through looping animated paintings. I approached each one like a vignette, distilling a moment of feeling into color, rhythm, and gesture.

Know More

Inspired by video game sprite animation, I painted each background traditionally, then created character “sprites” on separate layers to animate digitally.

Man Walking

The result is something between a painting and a living memory: painterly textures that stutter and breathe, revealing emotion not through words or sound, but through movement, posture, and space.

Man Riding EV
Woman Running

To animate each emotion, I started by painting all elements traditionally with acrylic—capturing mood through brushstroke, texture, and light. I then scanned the figures and backgrounds separately and used Photoshop to digitally construct each frame of the animation.

Woman In The Garden

Rather than animating expressive action, I animated stillness—moments just before or just after something changes. In doing so, each loop becomes a quiet portrait of what that emotion feels like, not just what it looks like.

Woman Night View

More Works

SQUANBERT.COM

©2025

Man Running
Man Running

EMOTION

This series explores core emotions through looping animated paintings. I approached each one like a vignette, distilling a moment of feeling into color, rhythm, and gesture.

Know More

Inspired by video game sprite animation, I painted each background traditionally, then created character “sprites” on separate layers to animate digitally.

Man Walking

The result is something between a painting and a living memory: painterly textures that stutter and breathe, revealing emotion not through words or sound, but through movement, posture, and space.

Man Riding EV
Woman Running

To animate each emotion, I started by painting all elements traditionally with acrylic—capturing mood through brushstroke, texture, and light. I then scanned the figures and backgrounds separately and used Photoshop to digitally construct each frame of the animation.

Woman In The Garden

Rather than animating expressive action, I animated stillness—moments just before or just after something changes. In doing so, each loop becomes a quiet portrait of what that emotion feels like, not just what it looks like.

Woman Night View

More Works

©2025